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Creative Connections Journal
and Newsletter



re.verb: echoes in motion, stories on stage


Thursday, May 22, 2025

The Continental Club

1658 12th St, Oakland


Doors: 6pm

Show: 7-9pm

Produced by: Bay Area Creative



Reverb: an electronically produced echo effect in live and recorded music

Reverberate (transitive verb synonyms): reflect, repel, echo



re.verb


In a time when hope feels fragile and the future uncertain, re.verb calls us together—to listen, to feel, to remember what pulses at the heart of revolution: art.

Hosted by Bay Area Creative, re.verb is a one-day, one-stage, many-voices performance showcase where young artists and their mentors speak truth to power through movement, music, and word. It’s part showcase, part sanctuary, part rally cry. Through bold poetry, dance, and storytelling, these performers aren’t just expressing—they’re resisting.

As fear and division rise across the country, re.verb amplifies the voices of a generation refusing to stay quiet. These students are not waiting for the world to change—they are shaping it, one line, one leap, one story at a time.

Expect the floor to quake. Expect joy to bloom where you thought only grief could grow. Expect to feel something you haven’t in a while: possibility.

Because art reverberates.


 And revolution echoes.


 Will you listen?


Hip-hop culture extends beyond individual artistic expression; it is a powerful movement shaped by years of social and political struggles that fueled its revolutionary evolution. In particular, hip-hop serves as a platform for social commentary, often addressing controversial issues such as inequality and injustice. Although Hip-Hop broadly includes dance, rap, DJing, and Graffiti, this article will focus on the Rap and Dance aspects. While dance can be a means of peaceful protest, understanding how it functions as a tool for advocacy requires deeper exploration. 


Hip-hop culture began in New York as a creative response to systematic inequalities such as poverty, crime, and racial discrimination. Over the years, every corner of the globe changed the sound to reflect local struggles and cultural self-expression. The Bay Area’s “Hyphy Movement” originated in the late ‘90s in Oakland. This subculture, characterized by energetic beats, heavy bass,  and car culture sideshows, embodied the Bay Area identity. The Hyphy Movement incorporates individuality and resistance to systemic racism through its creative form. While corporate America said, ‘We need appropriate hairstyles in schools and workplaces,’ E-40 said, “Shake Them Dreads.” When the media discouraged Black youth from embracing their identity, Mac Dre said, “I’m in the building, and I’m feeling myself.” The Hyphy years influenced fashion, music, slang, and mindset. Hip-hop culture fosters community and serves as a vibrant outlet for self-expression, offering resilience in the face of discrimination and oppression.


[When the media discouraged Black youth from embracing their identity, Mac Dre said, “I’m in the building, and I’m feeling myself.”]


This year, when the racist message "No Black" was spray-painted on a homeowner’s fence in San Leandro, Timothy McClain, a program coordinator and dance instructor at Bay Area Creative, saw an opportunity to turn outrage into action. The home belonged to Sonia Reed, a close friend of McClain’s mother, who had recently overcome years of hardship—including homelessness—to achieve the milestone of homeownership. Rather than respond with anger, McClain leaned into the principles of hip-hop culture—unity, expression, and resilience—to rally support against racism in the neighborhood. Through dance and community engagement, he and three other teaching artists demonstrated solidarity that uplifted rather than divided. Timothy was there with various teaching artists from Bay Area Creative, alongside the 50 people who showed up. They conducted some turf dancing, also synonymous with Oakland, and poetry for a few hours, from 2 to 3 pm, to highlight the black lives matter movement and a way of protesting against hate crimes. Reed personally thanked the team for showing up and supporting the fight against racism, using the arts as a tool for advocacy.



Beyond just music and movement, hip-hop has long been a vehicle for activism, giving voice to marginalized communities and challenging injustice through dance. Its influence extends far beyond the stage or the streets—it shapes conversations, sparks change, and serves as a reminder that art can be a tool of resistance. As Columbia’s School of Social Work notes, ’’Its ability to shed light on social issues, provide creative avenues for expression and healing, and empower marginalized communities has made hip-hop an indispensable tool in the social worker's toolkit’’(Columbia | School of Social Work). Hip-hop’s transformative power is used for awareness, healing, and empowerment of marginalized communities. Timothy leads break dancing choreography and works as an instructor with kids, who he says can show to be quite creative with their choreography.

["Hip-hop is a powerful way to bring people together, to spread joy and peace even in difficult moments,” Timothy says.]


An example of this is the contrast between conflict resolution in gangs’ violent turf wars being reborn as hip-hop dance battles. Although both involve expressions of territory, pride, and personal identity, the evolution keeps the rivalry but eliminates the violence. It also strengthens communities by bringing people together through its aspects of expression and cultural pride. 


Hip-hop culture has left a profound impact on today’s society, influencing not just the world of dance but also fashion, music, social movements, and mainstream entertainment. Hip-hop's extraordinary capability to unite people from diverse backgrounds is impressive, which is why it's an effective format for advocacy. Ultimately, hip-hop’s ability to unite and heal through the challenges of injustice makes it a valuable part of social advocacy that surpasses its musical roots.




“In my time. In my generation, I felt like the creativity was super high. At its highest form.”-Arthur Gardner


Arthur “Dopey Fresh” Gardner, the oldest of eight, found his passion for dancing at the age of 16. Initially starting as an escape from everyday life, what started as a hobby soon evolved into his greatest joy and career. Hailing from the San Francisco Bay Area, Arthur took to the streets, house parties, and clubs, always watching, observing, and having fun in his craft. 

Having been inspired by artists such as Michael Jackson and Janet Jackson and big events in the Bay Area and other locations, such as the Hyphy movement, Arthur found himself with an increased appreciation for dancing. Dancing encouraged individualism and brought him closer to other dancers, creating a sense of community for him to turn to. 

Known particularly for Turf dancing, the dance teacher described this specific art form and his first impression of the dance as relatable and open when he said, “You can be yourself, be silly, and still dance.” This paints a picture of a form of dance where it’s not just about the generic forms we see of dancing but also the playful side of this art form.


“Now I see the power with this dance…Being at the school, seeing the kids, seeing me be inspired, it’s way more layers to this dance.”


Following one’s passion is challenging enough on its own, especially in a business that few make it or find success in. However, Arthur persisted in doing what he loved despite it. Even during difficult periods, he continued dancing and competing. He even shared some of his most memorable moments that made the hard times worth it all. One of them occurred this recent year when he performed in the Super Bowl halftime show. Despite this moment being memorable because of its high-profile nature, he remembers it as a significant moment in his career for himself and the others dancing with him. He mentions that though it was a great moment in his hide, he wanted to step back and allow the others dancing with him their moment to shine. He felt that he had had his time in the spotlight; it was time to let others have their time. He also reflected on when he first started seeing himself on a big platform, he was already everywhere before he made it, finding his image all over the Bay area on billboards and encouraging him to continue doing and building his craft.


“My love for dancing was different every time. It’s not my career, but it’s my passion.”


A hardworking individual who, despite all of life’s hardships, strived to turn his hobby into a career and looks to inspire those around him, be it his colleagues or his students, to step out, embrace the spotlight, get their time to shine, and find that same sense of community, belonging, and recognition in their artform no matter what form it takes and no matter what life throws at you. If it makes you happy, then you have no reason to stop doing it. 





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